After the exhibition Yvonne Hasan from NMCA, where I’ve orchestrated the works in a retrospective effect, I feel the need for a new setting, purified and fluid, in which the result of the artists creation process can be better understood. I want the creative process to imitate the becoming of life itself: Yvonne Hasans life with all the details of the times in which she lived and which she visually chronicled in her artistic work, in her writings, in the woven images, in the colored assemblages, in the collages and her watercolors.
I propose to follow, in her first exhibition in a private space of Sector 1 Gallery, how the artist encapsulates life in a visual journal, preserving the essence of time. If we put in a context the period in which she built her artistic laboratory, it is easier for us to position ourselves correctly with respect to the complete plan of her work. A good friend, Nina Cassian, writes about the artists works: beyond their frames and limits, these objects dream and breathe, tending to be restored, to add to the nature from which they were born, which represents one of the fundamental roles of art : that of enriching our existence with conscious beauty, value and significance.