Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Lucian Popăilă

Biography

Lucian Popăilă’s paintings are visually arresting attempts to depict the realm of the commonplace, while granting it ontological dignity and a sort of iconic status. Applying paint on the surface, in a process that appears both intense and concise, reminding of the spirit of the Byzantine tetra-chromatic painterly practice, Popăilă imbues most of his depictions of such humble things as bushes or branches, which he scrutinizes with transformative attention, with an unmistakable spiritual intensity and often with a particular, vibrant smoothness. A painted bush becomes a reminder of Moses’s burning bush, as the impastoed surface appears somehow to allude to the miraculous process of matter burning without being consumed. Other images can equally be described as abstract, gestural compositions, possessing a tensed visual beauty or as lavish, sensuous depictions of burning flames. Finally, in other works, reminiscent both of Morandi’s subtle sensuousness and de Chirico’s calm, yet mysterious solemnity, branches and fragmentary tree trunks are represented in a stylized manner, attaining both a hermetical, semantic conciseness and a distinct metaphysical quality.

Works

If you are interested in more works by this artist