{"id":642,"date":"2022-09-18T22:07:49","date_gmt":"2022-09-18T19:07:49","guid":{"rendered":"https:\/\/sector1gallery.com\/projects\/?page_id=642"},"modified":"2022-09-18T22:07:50","modified_gmt":"2022-09-18T19:07:50","slug":"bogdan-vladuta","status":"publish","type":"page","link":"https:\/\/sector1gallery.com\/projects\/ro\/bogdan-vladuta\/","title":{"rendered":"Bogdan Vl\u0103du\u021b\u0103"},"content":{"rendered":"

Bogdan Vl\u0103du\u021b\u0103<\/span><\/h1><\/div><\/div><\/div><\/div><\/div><\/div>

C\u00c2ND PICTEZ \u0218TIU C\u0102 VOI MURI! - un eseu vizual despre Van Gogh<\/b><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

Eveniment Facebook<\/span><\/a><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

14 Aprilie - 29 Mai 2022<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

Sector 1 Gallery has the pleasure of presenting Bogdan Vl\u0103du\u021b\u0103’s solo exhibition, \u2018WHEN I PAINT I KNOW I WILL DIE! – A visual essay on Van Gogh\u2019. <\/span><\/p>\n

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In the exhibition \u2018WHEN I PAINT I KNOW I WILL DIE! – A visual essay on Van Gogh\u2019, artist Bogdan Vl\u0103du\u021b\u0103 is facing his source of inspiration, the onw who became his close companion, guide and confidant – Vincent Van Gogh. In a visual but also written essay, Bogdan Vl\u0103du\u021b\u0103 enters in a dialogue with the themes, methods and symbols from Van Gogh’s work. The gallery space is restructured into a new visual territory that includes large works, installations, drawings and in-situ interventions by the artist.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Organizator<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Galeria Sector 1<\/p><\/div><\/div><\/div><\/div><\/div><\/div>

Loca\u021bie<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Baicule\u0219ti 29, Sector 1<\/span><\/p>\n

Bucure\u0219ti, 013193<\/span>
<\/span>(\u00een cadrul Combinatului Fondului Plastic)<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Curator<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Domenico de Chirico<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Installation Views<\/h3><\/div><\/div><\/div><\/div><\/div><\/div>
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\u201cThis is neither a visual essay with exhaustive proposals, nor a way to quickly analyze Van Gogh\u2019s life, shedding full light on unknown areas, ruining the mystery. It is not even a promise to take over the common understanding given by the world (to and) using Vincent’s drama.<\/span><\/p>\n

Demersul meu \u00ee\u0219i propune, mai degrab\u0103, valorificarea p\u0103r\u021bii slabe, moi (infirme!?) care zace \u00een Vincent, a firimiturilor care cad de la masa marii culturi normative.\n\nVan Gogh avea \u00een el ingredientele care dospesc o astfel de pictur\u0103 fragil\u0103. Via\u021ba mizer\u0103, e\u0219ecul urm\u00e2nd e\u0219ecului, impasul rela\u021biilor sociale, lipsa orizontului lumesc, cultivarea fatalit\u0103\u021bii, caracterul despotic, incoruptibilitatea, sim\u021bul absolutului, dorin\u021ba de a deveni \u201cs\u0103rmanul Domnului\u201d ca apostol preo\u021besc sau ca pictor.<\/span><\/p>\n

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Van Gogh are credin\u021ba unui om necredincios, a unuia care verific\u0103 prin mijloacele proprii. Instrumentele sunt pictura, rela\u021biile umane unde s-a \u201cars\u201d, bolile lui, ie\u0219irea din cadrul confesional al cre\u0219tinismului - aici unde, paradoxal, descoper\u0103 de la mani\u00e8re orthodoxe, f\u0103r\u0103 s\u0103 \u0219tie, credin\u021ba R\u0103s\u0103ritului.<\/span><\/p>\n

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I started my journey alongside Van Gogh in 2013 at the Mus\u00e9e d\u2019Orsay in Paris. There, Van Gogh stands out from the rest with his unprecedented painting. At home, I share my findings with my close ones, including Sorin Dumitrescu.<\/span><\/p>\n

Intrigued by my Parisian observations, master Dumitrescu answers with interest by writing me nine letters which made the subject of his book about the Dutch artist, and invites me to \u201cremake\u201d together Van Gogh\u2019s Weaver at the loom as an attempt to interrogate the original work.<\/span><\/p>\n

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My paintings with Van Gogh are an exercise of undisguised admiration, made by one’s own means, where the slips combine with the virtues. The gain comes from my fellowship with Vincent, as I had access to the same muted values cultivated by the Dutchman and to the searchings which remained unanswered at that time, but which later became challenging as a \u201clate bomb\u201d. I was summoned to restrain myself and to fall under Vincent’s spell. He is my support, my crutch, the approval of the Way, but also the stake and the thorn, an ideal that does not give me peace but chaos, alteration and anxiety.<\/span><\/p>\n

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My work is based on the observations that animated my master Sorin Dumitrescu, a painter that has the reflections of an icon painter, reflections which were also passed to me, a painter of the sensitive, with the impetuousness and vulnerability of personal endeavor. The acquired knowledge helped me to discover a way to the inherent eternal values and slowly fading virtues of the Dutch painter. From there, Vincent adds to my studio\u2019s neuroses and strengths through a connection familiar to those artists who love their models. I think it’s appropriate to talk about \u201cmy Vincent\u201d from now on.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Despre M\u00e2nc\u0103torii de cartofi<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

E o g\u00e2f\u00e2ial\u0103 cre\u0219tin\u0103 \u00een pictura traumatizant\u0103 a M\u00e2nc\u0103torilor de cartofi. Un imbold interior care prezint\u0103 suferin\u021ba altora \u0219i pe a sa drept un lucru salvator, demn de a fi pictat. E un act implicit al jertfei sale pentru care m\u0103 plec \u00een fa\u021ba lui \u0219i-i s\u0103rut picioarele. S\u0103 fii at\u00e2t de fragil \u00eenc\u00e2t s\u0103 alegi s\u0103 pictezi viguros, energetic. Pare a fi pictura unui condamnat la moarte.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Despre non-culoare<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Am ales s\u0103 pictez cu negru imit\u00e2nd m\u00e2nc\u0103torii de cartofi, bocancii, vechiul turn al bisericii cu cimitir din Nuenen, chipurile de \u021bes\u0103tori, autoportretele cu Vincent b\u0103tr\u00e2n, r\u0103zboiul de \u021besut, precum \u0219i alte tablouri din epoca debutului s\u0103u. Picturile mele despre Van Gogh sunt trase c\u0103tre mine, un ins modificat de trecut, obsedat de acesta, cu \u00eenclina\u021bie pentru desen \u0219i retorica valorilor stabile. Am \u00eencercat un model de coexisten\u021b\u0103 cu un Van Gogh schilod, un Vincent care arde creativ \u00een proximitatea mor\u021bii, care vede \u00een suferin\u021b\u0103 Calea. Deseori m-am \u00eentrebat dac\u0103 lui Van Gogh i-ar pl\u0103cea descrierea mea.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Despre autoportrete<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Pictura cu mine \u00een pielea lui Vincent re\u021bine verticala \u00een trei sferturi a imaginilor mai vechi, aceea\u0219i abatere discret\u0103 din planul simetric, dar apas\u0103 pe puterile cu care vin reprezentate detaliile. Capul e bandajat, m\u00e2na st\u00e2ng\u0103 descrie un gest incomplet, apoi dispare. Membrul suprimat preseaz\u0103 mai tare \u00een\u021belesul cifrat, \u00eel someaz\u0103 s\u0103 se arate mai mult dec\u00e2t o face corpul \u00eentreg, neatins. Vag, o cortin\u0103 at\u00e2rn\u0103, vine luat\u0103 \u00een picioare. \u00cen tablou sunt chema\u021bi mai mul\u021bi s\u0103 participe. Van Gogh e prezent \u00een bandajele fe\u021bei \u0219i \u00een gesturile care dezv\u0103luie pricina suferin\u021bei, urechea t\u0103iat\u0103. Corpul unduit \u0219i galben \u00eel reveleaz\u0103 pe El Greco, pictorul grec al Spaniei. Silueta portretului este \u00eenso\u021bit\u0103 emblematic de prezen\u021ba unei ruine. Un autoteritoriu deliberat descris de contextul Antichit\u0103\u021bii, al locurilor iubite, artefacte ale istoriei. \u201cAjuns-am ca bufni\u0163a din d\u0103r\u00e2m\u0103turi\u201d se strig\u0103!<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Despre oase<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Mi-am zis s\u0103 pictez ceva cu multe oase. Osul ca ruin\u0103 a corpului, un artefact splendid \u0219i un interpret al Trecerii, dar \u0219i inginerie des\u0103v\u00e2r\u0219it\u0103 a Creatorului. O structur\u0103 a unui design \u00een care este \u00eencriptat\u0103 \u0219i pieirea omului dar \u0219i genomul care \u00eel poate reconstitui. Prin moarte-\u00cenviere, un dus-\u00eentors pe care \u00eel descrie grandios vedenia lui Iezechiel. C\u00e2mpul cu oase este reprezentarea \u00een care peisajul, descris prin fiecare falang\u0103 \u0219i ciont, propulsat de \u00eensufle\u021birea dumnezeiasc\u0103 ajunge protagonistul tabloului. Covorul cu \u201coase albite de sec\u0103ciune\u201d este oglinda \u00een care se reflect\u0103 chipul meu \u00eentocmind auto-portretul. Ca o rechemare a lucr\u0103rii \u201cC\u00e2nd pictez \u0219tiu c\u0103 voi muri!\u201d din 2001.\u201d\n(Bogdan Vl\u0103du\u021b\u0103)\n\nExpozi\u021bia \u2018C ND PICTEZ \u0218TIU C\u0102 VOI MURI! - Un eseu vizual despre Van Gogh\u2019 coincide cu lansarea catalogului eponim al artistului Bogdan Vl\u0103du\u021b\u0103. Albumul, disponibil \u00een cadrul vernisajului, reprezint\u0103 un exerci\u021biu de reflec\u021bie asupra unei st\u0103ri intime din atelierul artistului contemporan reconstituind teme \u0219i atitudini afective din opera pictorului olandez Vincent Van Gogh. Un studiu de caz abordat de c\u0103tre artist \u00eenc\u0103 din 2013, ce integreaz\u0103 atent scenografia atelierului s\u0103u al\u0103turi de lucr\u0103rile, interviurile \u0219i \u00eensemn\u0103rile ce evoc\u0103 apropierea \u00eentre artist \u0219i maestru.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>

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Excerpt from the artist’s catalogue Bogdan Vl\u0103du\u021b\u0103<\/h4>\n

Quand je peins, je sais que je vais mourir<\/h4><\/div><\/div><\/div><\/div><\/div><\/div>

Expozi\u021bia coincide cu mult a\u0219teptata lansare a catalogului artistului. Cartea include picturile artistului, interviuri, g\u00e2nduri \u0219i legende din atelierul s\u0103u \u00een timpul procesului de realizare a lucr\u0103rilor.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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